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    <title>Editorial Photo</title>
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   <id>tag:www.editorial-photo.com,2012://5</id>
    <link rel="service.post" type="application/atom+xml" href="http://www.eurienta.com/mt4/mt-atom.cgi/weblog/blog_id=5" title="Editorial Photo" />
    <updated>2012-03-08T10:47:47Z</updated>
    <subtitle>Photographers, Cameras, News</subtitle>
    <generator uri="http://www.sixapart.com/movabletype/">Movable Type 4.21-en</generator>
 

<entry>
    <title>Photographer Tahmineh Monzavi arrested in Iran</title>
    <link rel="alternate" type="text/html" href="http://www.editorial-photo.com/photographers/photographer-tahmineh-monzavi.php" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.eurienta.com/mt4/mt-atom.cgi/weblog/blog_id=5/entry_id=2257" title="Photographer Tahmineh Monzavi arrested in Iran" />
    <id>tag:www.editorial-photo.com,2012://5.2257</id>
    
    <published>2012-03-08T10:41:23Z</published>
    <updated>2012-03-08T10:47:47Z</updated>
    
    <summary>Tahmineh Monzavi, a 23-year-old photographer who studied at the Azad University&apos;s College of Arts and Architecture, has been arrested. According to Eric Cez and Anne Zweibaum of the Loco publishing house, it&apos;s unclear why she was arrested but they suspect it relates to Monzavi&apos;s work.</summary>
    <author>
        <name></name>
        
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        <category term="Photographers" />
    
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        <![CDATA[<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="© Tahmineh Monzavi." src="http://www.editorial-photo.com/images/tahmineh-monzavi.jpg" width="580"" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" /></span></p>

<p>Tahmineh Monzavi, a 23-year-old photographer who studied at the Azad University's College of Arts and Architecture, has been arrested. According to Eric Cez and Anne Zweibaum of the Loco publishing house, it's unclear why she was arrested but they suspect it relates to Monzavi's work.</p>

<p>Source : <a target="hj" href="http://www.bjp-online.com/british-journal-of-photography/news/2157211/iranian-photographer-tahmineh-monzavi-arrested#ixzz1oWLzmxpX">British Journal Of Photography</a>. </p>]]>
        
    </content>
</entry>

<entry>
    <title>Fujifilm X-PRO1</title>
    <link rel="alternate" type="text/html" href="http://www.editorial-photo.com/cameras/fujifilm-x-pro1.php" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.eurienta.com/mt4/mt-atom.cgi/weblog/blog_id=5/entry_id=2206" title="Fujifilm X-PRO1" />
    <id>tag:www.editorial-photo.com,2012://5.2206</id>
    
    <published>2012-01-17T09:34:42Z</published>
    <updated>2012-01-17T09:39:04Z</updated>
    
    <summary>Could the Fujifim X-PRO1 hybrid camera change everything?</summary>
    <author>
        <name></name>
        
    </author>
    
        <category term="Cameras" />
    
    <content type="html" xml:lang="en" xml:base="http://www.editorial-photo.com/">
        <![CDATA[<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="fujifilm-Xpro1.jpg" src="http://www.editorial-photo.com/images/fujifilm-Xpro1.jpg" width="697" class="mt-image-none" style="" /></span> Could  Fujifim X-PRO1 hybrid camera change everything?</p>]]>
        <![CDATA[<p>Valhalla, N.Y., January 9, 2012 - FUJIFILM North America Corporation proudly introduces the debut of its newest and most advanced addition to its premium, high quality X-Series digital camera line-up - the FUJIFILM X-Pro1 interchangeable lens digital camera system.</p>

<p>With a brand new, custom developed 16MP APS-C X-Trans CMOS sensorTM, incorporating a newly developed filter array and Fujifilm's proprietary EXR Processor technology, the FUJIFILM X-Pro1 is poised to deliver superlative image quality that will rival currently available mid and high-end DSLR models. Taking another decisive step into the premium camera market, Fujifilm has taken the X-Pro1 to the next level featuring a New 2nd Generation Hybrid Multi Viewfinder and three prime interchangeable FUJINON lenses.</p>

<p>The FUJIFILM X-Pro1 digital camera not only promises to carve out a distinct position in the premium camera category, but it also promises to reward X-Series loyalists with a camera system that surpasses their expectations.</p>

<p>"Fujifilm puts great emphasis on producing outstanding image quality, and with the X-Pro1, we are proud to offer an interchangeable lens system that performs to the highest professional caliber," said Go Miyazaki, division president, Imaging and Electronic Imaging Divisions, FUJIFILM North America Corporation. "Each element is the product of Fujifilm's commitment to uncompromising quality. With its custom APS-C X-Trans CMOS sensorTM, unique Hybrid Multi Viewfinder and three interchangeable lenses, the X-Pro1 is poised to become the new standard for photographers."</p>

<p>Setting new standards in image resolution<br />
Fujifilm has developed a new CMOS sensor called the X-Trans CMOSTM. The X-Trans CMOSTM sensor is capable of delivering resolution that is superior to other APS-C sensors and equal to even some full frame sensors.</p>

<p>The new color filter array paves the way for an ideal sensor that does not need an optical low-pass filter. While the optical low-pass filter is indispensable for the reduction of moiré and false color generated by conventional sensors, it also degrades resolution. Fujifilm has developed a new color filter array that is inspired by the random arrangement of fine film grain, removing the need for an optical low-pass filter to solve moiré and false color issues. In the array, RGB pixels are arranged in 6x6 pixel sets with high aperiodicity (randomness). Increasing the degree of randomness eliminates the fundamental cause of moiré and false colors - a problem that occurs in conventional arrays when shooting stripes and other repeating patterns. The presence of an R, G and B pixel in every vertical and horizontal pixel series minimizes the generation of false colors and delivers higher color reproduction.</p>

<p>As a result of using a film-inspired array, a more powerful processor is required to process the image signal data. So Fujifilm has developed the EXR Processor Pro. This technology will maximize the full potential of the X-Trans CMOSTM sensor, delivering high speed and high precision image processing.</p>

<p>Prime FUJINON XF lenses deliver the highest image quality<br />
FUJINON lenses have long been associated with delivering high quality images, with optics used for both broadcast TV and medium format cameras. Now the expertise borne out of this enviable optical heritage has been put into lenses for the FUJIFILM X-Pro1.</p>

<p>Three compact XF FUJINON fast aperture prime lenses will be available at launch. The "XF18mmF2 R" (27mm equivalent) f/2.0, "XF 35mmF1.4 R" (53mm equivalent) f/1.4, and "XF60mmF2.4 R Macro" (90mm equivalent) F/2.4 are all bright and compact and designed to deliver sharp, clear images of uncompromising quality. They offer precise control over depth-of-field and deliver excellent bokeh effects thanks to the design of the molded aperture diaphragm blades. The blades are curved to create a circular image at all aperture settings, while the very edges of each blade are meticulously rounded off rather than simply cut off, which delivers a sharper image. In addition, the solid feel of the high-quality metal barrel and detailed exposure setting in 1/3 step increments using the aperture ring fuel your desire to capture more photos with every shot.</p>

<p>FUJIFILM original "X-Mount" maximizes lens performance<br />
Specifically designed to maximize the mirrorless design of the body the X-Mount has a short flange back distance of just 17.7mm. This means the rear lens elements are as close as possible to the sensor. The wide opening allows the lens to be mounted deeper within the body - up to 7.5mm (approximately) from the mount surface - reducing the back focus distance of each lens to the minimum possible, thus achieving high resolution all the way to the edge of the image.</p>

<p>Hybrid Multi Viewfinder - seeing is believing<br />
First introduced in the FUJIFILM X100 digital camera, Fujifilm's revolutionary Hybrid Viewfinder has the ability to instantly switch between an Optical Viewfinder and Electronic Viewfinder. The Hybrid Viewfinder has added a new dimension to the pleasure of composing photographs. For the brightest viewing image, and to keep shutter lag to a minimum, users should choose the Optical Viewfinder. Those wanting focus confirmation, exposure information, white balance information and depth of field indicators should switch to the Electronic Viewfinder.</p>

<p>The Electronic Viewfinder provides an excellent "Live View" of your composition. This fusion of technologies allows users to enjoy composing their images through a bright viewfinder, but has the option to overlay vital picture taking information should this be required.</p>

<p>Changing between the two viewfinders is simple, thanks to the switch on the front of the X-Pro1 body. When attaching a FUJINON XF-series lens on the X-Pro1, both the viewfinder magnification and bright frame size automatically switch to support the lens focal length. Viewfinder magnification switches to 0.37x for the 18mm lens, and to 0.60x when the 35mm or 60mm lens is mounted, letting you compose your shot with the bright, crystal clarity of an optical image. The X-Pro1 also gives you the freedom to manually set a focal distance and switch between viewfinder magnifications.</p>

<p>Cutting edge technology in a beautiful camera body<br />
The X-Pro1's magnesium alloy chassis and improved user interface is a testament to Fujifilm's unyielding attention to quality and the photographic needs of the professionals. From the exact and deliberate placement of the buttons to the precision milled dials, the X-Pro1 beautifully encompasses all that is needed to deliver high quality photography. The top and base are made from die-cast aluminum alloy which, combined with high quality touches like precise engraving on the top-plate and hand-enameled lettering on the lenses, illustrates how the entire X-Pro1 system was designed and built without compromise.</p>

<p>This eye for detail extends to the shutter speed dial and exposure compensation control that is precision milled from solid metal. Details like the shutter speed dial lock mechanism and the recessed exposure compensation dial are designed to prevent accidental movement of settings. The knurled finish on the sides of the dials feature rows of minutely milled squared pyramids for superb grip and confidence.</p>

<p>As a well-known mark of quality, the "Made in Japan" printing confirms that every part of the construction has had to meet Fujifilm's highest standards.</p>

<p>The lightweight, precision-milled lens hood (included with the lens) has been exclusively designed and machined from aluminum for the FUJINON XF lens. Its compact size delivers superb light shading performance in a design that perfectly matches X-Pro1 styling. Diameters of the aperture ring and focus ring of the three FUJINON XF-series interchangeable lenses are only slightly larger than the barrel for sleek uniformity of design. Precision machined from metal, the reassuring click of the aperture ring at each setting and the comfortable torque resistance when operating the focus ring enhances the shooting experience.</p>

<p>The X-Pro1's leather-like finish is designed for a quality look and durability. The synthetic leather offers resistance to the elements and high durability, while an original manufacturing process produces a texture with the look and feel of authentic leather. The X-Pro1 has also been designed with the photographer's comfort in mind. The natural fit of the eyepiece provides excellent shielding from light leakage, and an optional dioptic adjustment lens can also be attached.</p>

<p>Extending Fujifilm's photo film legacy<br />
In film cameras, capturing multiple exposures is the unique photographic technique of superimposing one image on another by double exposing a single frame of film. Through advanced digital processing the X-Pro1 can simulate this technique by simply selecting the Multiple Exposure mode and taking the first shot. By viewing the image via the Hybrid Multi Viewfinder or on the LCD screen, you can see how the finished multiple exposure will look and then precisely frame the second shot.  Further enhancements have been made to the Film Simulation modes with the new Professional Color Negative Film Modes (Pro Neg. Std and Pro Neg. Hi) designed for X-Pro1 users working in the studio. The X-Pro1 also offers Film Simulation bracketing, along with AE, Dynamic and ISO bracketing; plus the ability to capture the colors and tonal qualities of popular FUJIFILM emulsions through the vibrant colors of Velvia, the softer skin tones of ASTIA and the natural look of PROVIA.</p>

<p>Replicating the effects of monochrome film photography the X-Pro1 lets you use color filters to expand your photographic interpretation. Heighten contrast with the yellow filter and red filter, or brighten greens and deepen reds with the green filter. Just as professional film photographers once selected a filter and printing paper to complement their creative vision, you can easily fine tune image quality with these filters. For those after a more nostalgic theme there is also a sepia filter.</p>

<p>Premium Accessory Lineup<br />
The FinePix X-Pro1 has these additional premium accessory options that are sold separately:</p>

<p>Hand Grip, HG-XPro1 - Giving you more secure and balanced handling of the camera, the X-Pro1 accessory grip smoothly molds to the lines of the camera body for a uniform look. The grip helps balance the weight of the camera body, allowing for a more comfortable hold.</p>

<p>Shoe Mount Flash EF-X20 - Designed to match X-Pro1's distinctive styling, a single dial lets you choose between two modes: AUTO - automatically optimizes flash for both outdoor daylight and dark indoor shots; and MANUAL - for hands-on control. In addition, the built-in flash diffuser has an easy one-touch process to soften harsh flash effects.</p>

<p>Leather Case LC-XPro1* - Beautifully molded to protect the X-Pro1, this leather case is designed to allow fast access for easy shooting. Attention has been given to every detail, from the color and spacing of the stitches to the use of a hidden magnet rather than a snap for closing the case. The premium case is complete with the authentic leather neck-strap and hood case.</p>

<p>Protector Filter 39mm and Protector Filter 52mm - These protection filters have high transmissivity without affecting the visible light, and the Super EBC coating effectively controls harmful borrowed light. The frame of the filters has a semi gloss black finish, keeping with the high sense of design, while the inner filter ring is finished in a matte black in order to minimize reflections.</p>

<p>Pricing and Availability<br />
The FUJIFILM X-Pro1 will be available in February 2012, and the price will be announced in late January 2012.</p>

<p>*Case not suitable for FUJINON XF60mm lens</p>

<p>NOTE: For complete camera specifications, please go to: http://www.fujifilm.com/products/digital_cameras/</p>

<p>For downloadable hi-res images of the FUJIFILM X-Pro1 Digital Camera, go to:<br />
www.FujifilmUSA.com/CES2012.</p>

<p><br />
About Fujifilm<br />
FUJIFILM North America Corporation, a marketing subsidiary of FUJIFILM Holdings America Corporation, consists of five operating divisions and one subsidiary company. The Imaging Division sells consumer and commercial photographic products and services including film, one-time-use cameras, online photo services and fulfillment, digital printing equipment and service. The Electronic Imaging Division markets consumer digital cameras. The Motion Picture Division provides motion picture film, and the Graphic Systems Division supplies products and services to the printing industry. The Optical Devices Division provides binoculars, and optical lenses for closed circuit television, videography, cinematography, broadcast and industrial markets. FUJIFILM Canada Inc. markets a range of Fujifilm products and services. For more information, please visit www.fujifilm.com/northamerica, or go to www.twitter.com/fujifilmus to follow Fujifilm on Twitter. To receive news and information direct from Fujifilm via RSS, subscribe at www.fujifilmusa.com/rss.</p>

<p>FUJIFILM Holdings Corporation, Tokyo, Japan, brings continuous innovation and leading-edge products to a broad spectrum of industries, including electronic imaging, digital printing equipment, medical systems, life sciences, graphic arts, flat panel display materials, and office products, based on a vast portfolio of digital, optical, fine chemical and thin film coating technologies. The company was among the top 16 companies around the world granted U.S. patents in 2010, and in the year ended March 31, 2011, had global revenues of $25.8 billion*. Fujifilm is committed to environmental stewardship and good corporate citizenship. For more information, please visit <a href="http://www.fujifilmholdings.com">www.fujifilmholdings.com.</a></p>]]>
    </content>
</entry>

<entry>
    <title>What&apos;s wrong with US Cops?</title>
    <link rel="alternate" type="text/html" href="http://www.editorial-photo.com/whats-wrong-with-us-cops.php" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.eurienta.com/mt4/mt-atom.cgi/weblog/blog_id=5/entry_id=2186" title="What's wrong with US Cops?" />
    <id>tag:www.editorial-photo.com,2011://5.2186</id>
    
    <published>2011-12-15T19:08:56Z</published>
    <updated>2011-12-15T13:20:29Z</updated>
    
    <summary>Why are the cops in NYC acting so stupid with photographers? 
One would expect this kind of attitude In Syria, Libya or North Corea, not in New York...Or?</summary>
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        <name></name>
        
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        <![CDATA[<p><img src="http://i.huffpost.com/gen/414179/thumbs/r-ZUCCOTTI-PARK-POLICE-large570.jpg">Back in November when New York police officers pushed protesters out of Zuccotti Park, many reporters were physically prevented from covering the events, ostensibly as a way to keep them safe. <a href="http://mediadecoder.blogs.nytimes.com/2011/12/14/the-police-the-press-and-protests-did-everyone-get-the-memo/">More here.</a></p>

<p>Why are the cops in NYC acting so stupid with photographers? <br />
One would expect this kind of attitude in Syria, Libya or North Corea, not in New York...Or?</p>]]>
        
    </content>
</entry>

<entry>
    <title>Stand Your Ground</title>
    <link rel="alternate" type="text/html" href="http://www.editorial-photo.com/stand-your-ground.php" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.eurienta.com/mt4/mt-atom.cgi/weblog/blog_id=5/entry_id=2134" title="Stand Your Ground" />
    <id>tag:www.editorial-photo.com,2011://5.2134</id>
    
    <published>2011-08-22T14:24:48Z</published>
    <updated>2011-08-22T08:12:01Z</updated>
    
    <summary>On Tuesday 21 June 2011 six photographers were assigned different areas of the City to photograph. Some used tripods, some went hand held, one set up a 5 x 4. All six photographers were stopped on at least one occasion. Three encounters led to police action.
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        <![CDATA[<p><iframe width="360" height="245" src="http://www.youtube.com/embed/FJH9F7Hcluo" frameborder="0" allowfullscreen></iframe>On Tuesday 21 June 2011 six photographers were assigned different areas of the City to photograph. Some used tripods, some went hand held, one set up a 5 x 4.</p>

<p>All were instructed to keep to public land and photograph the area as they would on a normal day. The event aimed to test the policing of public and private space by private security firms and their reaction to photographers.</p>

<p>All six photographers were stopped on at least one occasion. Three encounters led to police action.</p>]]>
        
    </content>
</entry>

<entry>
    <title>Provence</title>
    <link rel="alternate" type="text/html" href="http://www.editorial-photo.com/provence.php" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.eurienta.com/mt4/mt-atom.cgi/weblog/blog_id=5/entry_id=2106" title="Provence" />
    <id>tag:www.editorial-photo.com,2011://5.2106</id>
    
    <published>2011-06-30T20:05:29Z</published>
    <updated>2011-06-30T14:05:34Z</updated>
    
    <summary>Some photos of provence for the pleasure of the eyes.</summary>
    <author>
        <name></name>
        
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    <content type="html" xml:lang="en" xml:base="http://www.editorial-photo.com/">
        <![CDATA[<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="phe09.jpg" src="http://www.eurienta.com/travel/images/DSC_8075.jpg" width="360" height="301" class="mt-image-none" style="" /></span>Some photos of <a target="jk" href="http://www.eurienta.com/travel/provence/">Provence</a> for the pleasure of the eyes.</p>]]>
        
    </content>
</entry>

<entry>
    <title>Treasures of the Rhone</title>
    <link rel="alternate" type="text/html" href="http://www.editorial-photo.com/events/treasures-of-the-rhone.php" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.eurienta.com/mt4/mt-atom.cgi/weblog/blog_id=5/entry_id=1314" title="Treasures of the Rhone" />
    <id>tag:www.editorial-photo.com,2009://5.1314</id>
    
    <published>2009-10-26T08:55:26Z</published>
    <updated>2009-10-26T08:41:42Z</updated>
    
    <summary>Photographers Remi Benali and Patrick Landmann have spent 10 weeks working with Luc Long and a team of archaeologists and divers who have been excavating the Rhone River. The Roman Treasures that they have found, unseen for 2000 years, include a marble portrait of Julius Caesar, the only carved while he was alive, a gold-leaf statue of Victory and a bronze captive awaiting his death sentence. All are considered to be chefs d&apos;oeuvres by the French Ministry of Culture and can be seen now at the Musée Départemental de l&apos;Arles antique.</summary>
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        <![CDATA[<p><img src="http://www.remibenali.com/world-heritage-arles-1/photos-arles-1/treasure_rhone_river_1_l.jpg"></p>

<p>Photographers <a  target="_blank" href="http://www.remibenali.com">Remi Benali</a> and <a target="_blank"  href="http://www.patricklandmann.com/">Patrick Landmann</a> have spent 10 weeks working with Luc Long and a team of archaeologists and divers who have been excavating the Rhone River. The Roman Treasures that they have found, unseen for 2000 years, include a marble portrait of Julius Caesar, the only carved while he was alive, a gold-leaf statue of Victory and a bronze captive awaiting his death sentence. All are considered to be chefs d'oeuvres by the French Ministry of Culture and can be seen now at the Musée Départemental de l'Arles antique.<br />
<a  target="_blank" href="http://www.remibenali.com/world-heritage-arles-1/">Trésors archéologiques du Rhône</a></p>]]>
        
    </content>
</entry>

<entry>
    <title>PhotoEspaña2009</title>
    <link rel="alternate" type="text/html" href="http://www.editorial-photo.com/events/photoespana2009.php" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.eurienta.com/mt4/mt-atom.cgi/weblog/blog_id=5/entry_id=1198" title="PhotoEspaña2009" />
    <id>tag:www.editorial-photo.com,2009://5.1198</id>
    
    <published>2009-05-26T09:04:57Z</published>
    <updated>2009-05-26T08:26:59Z</updated>
    
    <summary>PHotoEspaña 2009 will take place from 3 June to 26 July. The Festival of Photography and Visual Arts will offer at this twelfth edition a proposal comprising 74 exhibitions, 31 in the Official Section, 7 in other venues and 35 in the Off Festival, spread in a total of 60 exhibition spaces such as museums, art galleries, art centres and exhibition rooms. 259 artists and creators of 40 nationalities will participate at the Festival.</summary>
    <author>
        <name></name>
        
    </author>
    
        <category term="Events" />
    
    <content type="html" xml:lang="en" xml:base="http://www.editorial-photo.com/">
        <![CDATA[<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="phe09.jpg" src="http://www.editorial-photo.com/images/phe09.jpg" width="360" height="301" class="mt-image-none" style="" /></span>PHotoEspaña 2009 will take place from 3 June to 26 July. The Festival of Photography and Visual Arts will offer at this twelfth edition a proposal comprising 74 exhibitions, 31 in the Official Section, 7 in other venues and 35 in the Off Festival, spread in a total of 60 exhibition spaces such as museums, art galleries, art centres and exhibition rooms. 259 artists and creators of 40 nationalities will participate at the Festival.</p>]]>
        <![CDATA[<p></p>

<p>The Official Section of PHE09 will develop the concept of The everyday. The Festival will include exhibitions by artists belonging to different generations, geographic origins and artistic and conceptual tendencies. It will preferably focus on recent productions, but will also try to reveal historic times where connection between photography and the everyday has acquired special importance. The Official Section will be completed by Historical exhibitions and Grand Masters, and it will also open its doors to invited projects. Meanwhile the Off Festival will bring together the best exhibition projects by the main art galleries in Madrid.</p>

<p>This new edition of PHotoEspaña consolidates Madrid, Lisbon and Cuenca as host cities. In this edition, the Museu Colecção Berardo in Lisbon will participate in the Festival with two exhibitions; Cuenca, PHotoEspaña host city by its third consecutive year, will host OpenPHoto, an exhibition programme consisting of proposals coming from embassies and foreign institutions of 8 countries; and for the fist time this year, Alcala de Henares will join the Festival hosting photography workshops of Campus PHE. Fundación Canal will organized the contest El Agua de Madrid (Water of Madrid) and workshops for children and youths.</p>

<p>PHE09 will deepen into programmes with pedagogical and professional aims. A novelty in this edition will be Festival Campus PHE Edición de Libros, a programme devoted to publishing projects which will take place at the CA2M Centro de Arte Dos de Mayo, in Mostoles (Madrid), joining Campus PHE Grand Masters, photography workshops and master classes that will be held in Alcalá de Henares. Besides, Descubrimientos PHE expands its scope and organizes portfolio reviews in Lima and Mexico City. For the first time, PHotoEspaña and the Banco Santander Foundation will organize an educational programme for the youth, in which 198 students of 6 Madrid's high schools will participate. The programmes for general public, which are addressed to people of every age and education level with an interest in photography, will include guided tours of the Festival exhibitions, workshops for children and young people as well as family programmes to allow families to enjoy PHotoEspaña all together.</p>

<p>PHotoEspaña faces a new challenge in 2009: the international promotion of the Festival as per PHotoEspaña International. This ambitious project, which will not be carried out during June and July, the regular dates of PHotoEspaña, promotes the spread of exhibitions and professional programs of PHotoEspaña beyond Spanish boundaries. The exhibition programme of PHE09 will include two exhibition venues outside Spain: Portugal will host again some of the exhibitions of the Official Section of the Festival and, for the fist time, Italy will also be international venue. The Italian programme, created with the support of the Ministry of Culture, Sports and Tourism of the Regional Government of Madrid as part of the Made in Mad programme, will be carried out in Milan starting in October. The internationalization of the Festival will be also applied to programmes with pedagogical and professional aims. PHotoEspaña will allow the viewing of portfolios Descubrimientos PHE Madrid, Lima and Mexico City with the support of the Cervantes Institute and the AECID (Agencia Española de Cooperación Internacional para el Desarrollo, the Spanish Agency for International Development Cooperation).</p>

<p>More : <a target="nn" href="http://www.lafabrica.com/notas_prensa/notas_prensa.php?ola=142">PHEO9</a></p>]]>
    </content>
</entry>

<entry>
    <title>Nature and Cultures - Photographic Gallery in Arles</title>
    <link rel="alternate" type="text/html" href="http://www.editorial-photo.com/photographers/nature-cultures-photo-arles.php" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.eurienta.com/mt4/mt-atom.cgi/weblog/blog_id=5/entry_id=1182" title="Nature and Cultures - Photographic Gallery in Arles" />
    <id>tag:www.editorial-photo.com,2009://5.1182</id>
    
    <published>2009-05-11T00:59:05Z</published>
    <updated>2009-05-10T18:55:43Z</updated>
    
    <summary>Celebrating 20 years of award-winning photography, Remi Benali reveals his sensibility for light and color at his gallery in the heart of Provence. Located in the historic city of Arles, the Nature &amp; Cultures Photographic Gallery offers a rotating selection of 25 prints as well as the possibility to order from an online portfolio and an extensive collection photographed in over 80 countries. Nature &amp; Cultures was formed as a means of sharing Remi&apos;s enthusiasm for the diversity of our civilizations and the wonders of our natural world. </summary>
    <author>
        <name></name>
        
    </author>
    
        <category term="Photographers" />
    
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        <![CDATA[<p><img alt="© Remi Benali" src="http://www.editorial-photo.com/images/remi-benali.jpg" width="360" /><br />
Celebrating 20 years of award-winning photography, <a  target="nb" href="http://www.remibenali.com">Remi Benali</a> reveals his sensibility for light and color at his gallery in the heart of Provence. Located in the historic city of Arles, the <a href="http://www.naturecultures.com/" target="nb">Nature & Cultures Photographic Gallery</a> offers a rotating selection of 25 prints as well as the possibility to order from an online portfolio and an extensive collection photographed in over 80 countries. Nature & Cultures was formed as a means of sharing Remi's enthusiasm for the diversity of our civilizations and the wonders of our natural world. </p>]]>
        
    </content>
</entry>

<entry>
    <title>Munem Wasif</title>
    <link rel="alternate" type="text/html" href="http://www.editorial-photo.com/photographers/munem-wasif.php" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.eurienta.com/mt4/mt-atom.cgi/weblog/blog_id=5/entry_id=901" title="Munem Wasif" />
    <id>tag:www.editorial-photo.com,2008://5.901</id>
    
    <published>2008-09-06T07:55:51Z</published>
    <updated>2008-09-06T07:07:33Z</updated>
    
    <summary>Munem Wasif, is in Perpignan (France), until September the 14th, for &quot;Visa pour l&apos;image 2008&quot;. He presents &quot;Bangladesh, standing on the edge.&quot;</summary>
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        <name></name>
        
    </author>
    
        <category term="Photographers" />
    
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        <![CDATA[<p><img alt="© Munem Wasif / VU" src="http://www.editorial-photo.com/images/munem-wasif.jpg" width="360" height="240" />Munem Wasif, is in Perpignan (France), until September the 14th, for "Visa pour l'image 2008". He presents "<a href="http://www.visapourlimage.com/exhibition/3450.do">Bangladesh, standing on the edge</a>."<br />
</p>]]>
        
    </content>
</entry>

<entry>
    <title>Laurent Geslin</title>
    <link rel="alternate" type="text/html" href="http://www.editorial-photo.com/photographers/laurent-geslin.php" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.eurienta.com/mt4/mt-atom.cgi/weblog/blog_id=5/entry_id=236" title="Laurent Geslin" />
    <id>tag:www.lpce.com,2006:/photo2//5.236</id>
    
    <published>2008-05-19T20:10:46Z</published>
    <updated>2008-05-19T14:03:22Z</updated>
    
    <summary>Laurent Geslin phtographer of urban wildlife.</summary>
    <author>
        <name></name>
        
    </author>
    
        <category term="Photographers" />
    
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        <![CDATA[<p><img alt="Copyright Laurent Geslin" src="http://www.editorial-photo.com/images/laurent-geslin-wildlife.jpg" width="360" height="236" /><br />
Laurent Geslin photographer of urban wildlife.</p>

<p>View <a href="http://www.laurent-geslin.com/index.php#album=1&photo=57" target="wildlife">Laurent Geslin</a>'s website</p>]]>
        
    </content>
</entry>

<entry>
    <title>Alain Pons</title>
    <link rel="alternate" type="text/html" href="http://www.editorial-photo.com/photographers/alain-pons.php" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.eurienta.com/mt4/mt-atom.cgi/weblog/blog_id=5/entry_id=665" title="Alain Pons" />
    <id>tag:www.editorial-photo.com,2008://5.665</id>
    
    <published>2008-03-03T08:45:54Z</published>
    <updated>2008-03-03T08:40:33Z</updated>
    
    <summary>Photographer Alain Pons has released a serie of photo guides of Tanzania, Namibia, Kenya, Botswana, and India. His models are tigers, bears, oryx  and elephants. He is one of six animal photographers (Tony Crocetta, Vincent Munier, Michel et Christine Denis-Huot, Dominique Delfino) showing their work  int the exhibition &quot;Latitude Animal&quot; in Drancy (France ) until march the 30th</summary>
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        <name></name>
        
    </author>
    
        <category term="Photographers" />
    
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        <![CDATA[<p><img alt="Photo copyright Alain Pons" src="http://www.editorial-photo.com/images/alain-pons.jpg" width="360" height="233"/>Photographer <a href="http://www.alain-pons.com/us/"  target="x">Alain Pons</a> has released a serie of photo guides of Tanzania, Namibia, Kenya, Botswana, and India. His models are tigers, bears, oryx  and elephants. He is one of six animal photographers (Tony Crocetta, <a href="http://www.editorial-photo.com/photographers/vincent-munier.php">Vincent Munier</a>, Michel et Christine Denis-Huot, Dominique Delfino) showing their work  int the exhibition "<a href="http://www.drancy.net/index.php?id_article=9764&id_rub=education" target="x">Latitude Animal</a>" in Drancy (France ) until march the 30th.</p>]]>
        
    </content>
</entry>

<entry>
    <title>Michał Szlaga</title>
    <link rel="alternate" type="text/html" href="http://www.editorial-photo.com/photographers/michal-szlaga.php" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.eurienta.com/mt4/mt-atom.cgi/weblog/blog_id=5/entry_id=558" title="Michał Szlaga" />
    <id>tag:www.editorial-photo.com,2007://5.558</id>
    
    <published>2007-11-24T16:08:17Z</published>
    <updated>2007-11-24T10:06:17Z</updated>
    
    <summary>Michał Szlaga lives and works in Gdansk. &quot;Gdansk Shipyard has always been my biggest interest: since 2002 I have been taking pictures to show the changes it is going through, its workers and beautiful architecture.&quot; 
He works for Newsweek Poland, Przekroj, Twój Styl... </summary>
    <author>
        <name></name>
        
    </author>
    
        <category term="Photographers" />
    
    <content type="html" xml:lang="en" xml:base="http://www.editorial-photo.com/">
        <![CDATA[<p><img alt="In Gdansk Shipyard - Copyright Michal Slaga" src="http://www.editorial-photo.com/images/michal-slaga.jpg" width="360" height="359"/>Michał Szlaga lives and works in Gdansk. <br />
"Gdansk Shipyard has always been my biggest interest: since 2002 I have been taking pictures to show the changes it is going through, its workers and beautiful architecture." <br />
He works for Newsweek Poland, Przekroj, Twój Styl... <br />
<a href="www.szlaga.com/" target ="bl">Michał Szlaga</a></p>]]>
        
    </content>
</entry>

<entry>
    <title>Travel Images</title>
    <link rel="alternate" type="text/html" href="http://www.editorial-photo.com/photographers/travel-images.php" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.eurienta.com/mt4/mt-atom.cgi/weblog/blog_id=5/entry_id=557" title="Travel Images" />
    <id>tag:www.editorial-photo.com,2007://5.557</id>
    
    <published>2007-11-24T15:48:54Z</published>
    <updated>2007-11-24T09:47:12Z</updated>
    
    <summary>Travel Images, a visual journey through Europe.</summary>
    <author>
        <name></name>
        
    </author>
    
        <category term="Photographers" />
    
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        <![CDATA[<p><img alt="travel-image" src="http://www.editorial-photo.com/images/travel-image.jpg" width="360" height="270"/><br />
<a href="http://www.eurienta.com/travel/" target ="travel">Travel Images</a>, a visual journey through Europe.</p>]]>
        
    </content>
</entry>

<entry>
    <title>Visa pour l&apos;image - Perpignan 2007</title>
    <link rel="alternate" type="text/html" href="http://www.editorial-photo.com/visa-pour-limage-perpignan-200-1.php" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.eurienta.com/mt4/mt-atom.cgi/weblog/blog_id=5/entry_id=472" title="Visa pour l'image - Perpignan 2007" />
    <id>tag:www.editorial-photo.com,2007://5.472</id>
    
    <published>2007-09-13T09:22:50Z</published>
    <updated>2007-09-13T09:19:39Z</updated>
    
    <summary>France - Perpignan - until Septembre the 16th - Visa pour l&apos;Image is now 19 years old. 
</summary>
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        <name></name>
        
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        <![CDATA[<p><img alt="visa-pour-image-perpignan" src="http://www.editorial-photo.com/images/visa-pour-image-perpignan-2.gif" width="360" height="277"/><br />
France - Perpignan - until Septembre the 16th.<br />
PR : Visa pour l'Image is now 19 years old. <br />
And these nineteen years have been devoted to promoting a certain type of photography analyzing events around the world and going beyond the coverage presented by the traditional medial. Some people may find this attitude provocative, but that is the goal, as this is the only way of exposing and speaking out against so many negative forces in the world. </p>]]>
        <![CDATA[<p>Visa pour l'Image is an event supported by 4000 professionals working in photography and who come from many countries. 2007 will also be a milestone year, registering the three millionth visitor, and this gives an idea of the scope of the festival and the way it has grown. <br />
Visa pour l'Image is not a festival of glitter, and it must continue to expose all the dramatic events which, unfortunately, still prevail and spread, while people so often turn their backs on a spirit of kindness or tolerance to fellow humans, doing so for any number of reasons (e.g. ethnic, religious, economic or political reasons, or simply for personal ambition). Every day more numbers are added to the already millions of victims - abused, forced to join groups or militia, or exterminated - so many innocent victims. <br />
Visa pour l'Image also has its own battle to wage, defending a profession under threat with a wabe of restructuring, and defending individuals in cases of hostage-taking, an ever more prevalent threat, and sometimes reality, for photographers and journalists whose only fault has been to pursue the quest for truth out in the field, despite the dangers involved. <br />
They are not reckless, they are simply doing their job, and we are duty bound to condemn any such violations of human rights and freedom. Visa pour l'Image asserts its commitment. The event is built around basic values of respect for individuals and individual rights. You may rest assured that we shall not shift from that position. <br />
Guy Peron June 2007</p>]]>
    </content>
</entry>

<entry>
    <title>Rencontres d&apos;Arles 2007</title>
    <link rel="alternate" type="text/html" href="http://www.editorial-photo.com/events/rencontres-arles-2007.php" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.eurienta.com/mt4/mt-atom.cgi/weblog/blog_id=5/entry_id=419" title="Rencontres d'Arles 2007" />
    <id>tag:www.editorial-photo.com,2007://5.419</id>
    
    <published>2007-06-30T12:48:04Z</published>
    <updated>2007-06-30T12:45:56Z</updated>
    
    <summary>After the Depardon maelstrom, our joy at the success achieved (52,000 visitors, 20% of them foreign; overall, a 50% rise on 2005) was tinged with concerns: what future could we invent so as not to lose the impetus generated and the movement that had carried us along. This perplexity definitely has a starry-eyed “forever onwards and upwards” side to it. </summary>
    <author>
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        <category term="Events" />
    
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        <![CDATA[<p><img alt="rencontres-arles-2007" src="http://www.editorial-photo.com/images/rencontres-arles-2007.jpg" width="360" height="309" /><br />
After the Depardon maelstrom, our joy at the success achieved (52,000 visitors, 20% of them foreign; overall, a 50% rise on 2005) was tinged with concerns: what future could we invent so as not to lose the impetus generated and the movement that had carried us along. This perplexity definitely has a starry-eyed “forever onwards and upwards” side to it. </p>]]>
        <![CDATA[<p>But is it an option to do otherwise, planning from year to year a sudden change of pace – a slow movement for the peace of body and soul, after a few crazy high-tempo numbers? Pierre Barouh writes on the discs of his Saravah label a pensée that has become famous: Il y a des années où l’on a envie de ne rien faire (“There are years when you feel like doing nothing”). Even for supporters of economic “degrowth”, this appealing suggestion is hard to implement. And you don’t know François Hébel and the Rencontres teams very well if you can imagine them ironing crumpled clothes while they wait for the next wedding. Listening to creators and aspiring to change and inventiveness calls for limitless impatience and the absolute need to encounter more people, to find out more, to look further, to see and see again, fearing only an unthinkable loss of desire and the familiar threat of a cruising speed fit for laidback holidaymakers. Continuing means doing more and being better, and only responding to the everlasting questions – “How will you manage? Is there life after Parr and Depardon? Who will be the new artistic director? Quick, a name!” – by inventing new pleasures and fresh discoveries. Thus it was in 2005, the year of a magnificent edition of the Rencontres, which François Hébel devised and set to music and images without relying on a deus ex machina. We didn’t fall back on our own strengths; rather, we adopted another kind of openness, more attentive to the diversity of artists’ eyes. And this kind of alternation is, we feel, suitable. So the 2007 Rencontres will be a well: the water of lives and cities, drawn from the creative springs. Whereas 2006 revolved around one man, his artistic siblings and the French-speaking world, 2007 will venture far afield, to China and India, in search of a living history of modern and contemporary times.</p>

<p>Arles (France)<br />
From jully the 3rd until September the 16th<br />
Source <a href="http://www.rencontres-arles.com/index.php/home/en">Rencontres d'Arles</a></p>]]>
    </content>
</entry>

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